— On what positioning is actually for
I spent two decades inside the brand teams behind some of the world's most demanding luxury houses. The lesson that runs through every one of those engagements is the same: a great brand isn't sold by its features. It's sold by its story, told by someone who actually believes it.
I've worked with Treasury Wine Estates, Diageo, Mark Anthony Group, and the brand teams behind Penfolds, 19 Crimes, Beaulieu Vineyard, Mission Hill, Cîroc, and Captain Morgan — repositioning icons, launching insurgents, and building the systems that make brand work durable past the next quarter.
I'm a fractional CMO when the work calls for embedded leadership. I'm a strategist when it calls for clarity. I'm an AI builder when it calls for speed. The unifying thread: I don't hand off a deck and leave. The work has to be in market.
The motto on this site — Esse Quam Videri — is from my family crest. It means to be, rather than to seem. It's the north star I work by.
The mark on this site is the pressed greyhound — the Ford family crest, drawn in a single line of ink. The wax seal opens a piece and signs it off; the greyhound carries every page in between. Same crest, same promise: the work has to be the real thing, not the appearance of one.
The question isn't whether to use AI. It's where, how, and under whose judgment. Delegate what doesn't define the brand, to advance the work that does.
Taste, authorship, symbolic meaning, narrative, feeling. If the work could belong to any brand, it doesn't carry yours. That work stays human.
Tone rules, visual lexicon, cultural red lines — the house's taste, written down. AI-touched work clears that bar or it doesn't go out.
When AI absorbs the work about work, the day goes back to the craft people were hired for. Same hours. More craft.
I take a small number of engagements at a time. Tell me what you're trying to build and I'll tell you whether I'm the right person for it.
Start a conversation →